The Lyric Consort maintains an extensive repertoire of individual a cappella works and program groupings, and can work with presenters to create new combinations of existing repertoire or to explore new programmatic concepts. The following general categories are offered to provide a picture of The Lyric Consort's overall repertoire. The individual titles are examples of that category and, in most cases, represent only a portion of the available music. Various types and styles, including examples of troping (Medieval practice of embellishing pure chant through textual, melodic, or harmonic improvisation). A condensed view (30') of the Christmas pageant as found in the Fleury Play Book, depicting the journey of the Magi, Herod's plot and slaughter of the Innocents, and their joining of the Heavenly Host. Incorporates hand bells and percussion. Notre-Dame style organum of Leonin and Perotin, Polyphonic Conductus, and English Descant.      Guillaume de Machaut--Messe de Nostre Dame      John Dunstable--Veni sancte spiritus/Veni creator      Guillaume Dufay--Nuper rosarum flores      Orlande de Lassus--Il estoit une religieuse, O vin en vigne      John Farmer--Fair Phyllis, A Pretty Little Bonny Lass      Josquin Desprez--El grillo (Cricket)      Pierre Passereau--Il est bel et bon (Chicken)      Giuseppe Caimo--Mentre il cuculo (Cukoo)      Clement Janequin--Song of the Birds (Chant des Oiseaux), The War (La Guerre)      Matteo Flecha--The Shipwreck (La Bomba), Judgement Day (La Justa)      Hans Leo Hassler--Ach weh des Leiden      Claudio Monteverdi--Cruda Amarilli, Lamento d'Arianna      Orlande de Lassus--La nuit froide et sombre      Thomas Weelkes--Cease Now Delight      Guillaume Dufay--Ave regina caelorum      Johannes Ockeghem--Missa De plus en plus      Josquin Desprez--Memor esto, Missa Pange Lingua      Clemens non Papa--De profundis      Cristobal de Morales--Missa Desilde al caballero      Victoria--O Magnum mysterium, Magnificat secundi toni, Surrrexit pastor bonus      Palestrina--Missa Omnes gentes, Sicut cervus, Alma redemptoris mater      William Byrd--Justorum animae, Mass for Four Voices, Viri gallilei, Epiphany Propers      Orlande de Lassus--In monte oliveti, Penetential Psalms, Lagrime de San Pietro      Sweelinck--Psalm 150, Hodie Christus natus est      Hans Leo Hassler--Missa Secunda, Cantate Domino      Juan Guttíerez de Padilla--Missa Ego flos campi, Deus in adjutorium      Manuel de Sumaya--Lamentations, Egregie Doctor      Antonio de Salazar--Egregie Doctor, Defensor alme hispaniae      J. S. Bach--Lobet den Herrn, Ich lasse dich nicht      Johann Michael Bach--Herr, ich warte auf dein Heil      Johann Hermann Schein--Die mit Tränen säen      Mozart--Quaerite primum regnum Dei      Music from Pennsylvania's earliest published collection of sacred music, James Lyon's Urania      (Philadelphia, 1761), including music of James Lyon and Francis Hopkinson.      Music of William Billlings and the New England School.      Music of their European antecedents and the Protestant Reformation.      Johannes Brahms--Marienlieder      Anton Bruckner--Ave Maria      Charles Villiers Stanford--The Bluebird      Robert Pearsall--Lay A Garland      Edward Bairstow--I Sat Down Under His Shadow      Claude Debussy--Chansons      John Tavener--A Village Wedding, The Lamb      Jean Belmont--Nativitas      Arvo Pärt--Magnificat      Frank Ferko--Hildegard Motets      Hugo Distler--Singet frisch und wohlgemut      Herbert Howells--Take Him Earth For Cherishing (Anthem on the death of J.F.K.)      Stephen Sametz--I Have Had Singing      Murray Schaeffer--Medieval Bestiary      Biebl--Ave Maria      A Nightingale Sang in Berkeley Square, Embraceable You, When I Fall In Love      Swing Low, Deep River, Elijah Rock      arr. Alan Baker--My Old Man, Whistle 'Neath The Mistletoe      Britten--Hymn to the Virgin, The Evening Primrose      John Biggs--Auction Cries      P.D.Q. Bach--Ground Round, Carols      a field afar. . .      What if a Much of a Which of a Wind